In association with Egyptian Dreams - a supplier for the Oliver Stone movie "Alexander" starring Colin Farrell as Alexander the Great


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Alexander the Great conquered the world not only by virtue of his military genius, but perhaps even more importantly, with the power of his ideas. What Alexander accomplished in his near 33 years on earth have reverberated through the centuries, still informing how life is lived throughout the lands he conquered more than two thousand years ago. Although he was the ultimate warrior, Alexander had the soul of an explorer – in his 22,000-mile march, he sought not to destroy, but to re-invent each society in the mold of his own vision for a new world, and perhaps a new destiny for the human race. Through his actions, Alexander temporarily united East and West, spreading Hellenistic thought and culture throughout the Eastern world with lasting effect.

His accomplishments were astonishing by any standards. His empire included lands that now comprise the countries of Greece, Albania, Turkey, Bulgaria, Egypt, Libya, Israel, Jordan, Syria, Lebanon, Cyprus, Iraq, Iran, Afghanistan, Uzbekistan, Pakistan and India. In 323 B.C., the year of his death, it comprised well over two million square miles.

Alexander has been the subject of an enormous body of written works, historical, fictive, psychological and even practical (as evidenced by two recently published books that translate Alexander’s military strategy into a guide for modern businessmen), but except for one attempt by Hollywood nearly 40 years ago, no filmmaker has found a way to translate Alexander’s extraordinary life to the screen – until Oscar-winning director/screenwriter Oliver Stone took on the challenge of telling the story in the epic Alexander.

The film’s production incorporated a multitude of disciplines, all designed to bring the exact quality and look of Alexander’s world to life. The numerous sets included detailed re-creations of lavish palaces, the extraordinary Alexandria Library and the magnificent city of Babylon, including its legendary Hanging Gardens, one of the Seven Wonders of the Ancient World. Additionally, each actor’s accent was specifically chosen to reflect the interconnected languages and wide array of dialects of the time.

In preparation for their roles, all the actors portraying soldiers, including stars Colin Farrell and Jared Leto, underwent extensive training in ancient battle strategies and the use of exact replicas of Macedonian and Greek weaponry. The battles are epic in scope – recreated for the screen are the Battle of Gaugamela, where Alexander’s heavily outnumbered troops resoundingly defeated the vast Persian army, and a vicious battle in the forests of India in which his troops fight against enormous elephants.

"The beauty of Alexander is that he won," says Stone, whose acclaimed films include Any Given Sunday, Nixon, Natural Born Killers, JFK, The Doors, Born on the Fourth of July, Wall Street and Platoon. "He’ll always be known for at least two reasons – that he conquered the world without ever suffering a military defeat, and as a visionary and a man of remarkable and generous spirit. He was perhaps the greatest warrior of all time, greater than his mythic heroes Achilles and Herakles. He grew up under the influence of these mythological Greek figures and he believed in them as no other child. Out of that belief and faith grew this monumental drive and destiny, which he actually achieved."

Fascinated by Alexander since childhood and inspired by Greek mythology, Stone dreamed of making Alexander’s story for years. "I had frustrated student fantasies of going back in time with documentary cameras and a small crew to actually film Alexander’s military campaigns," he recalls. "32 years later, I finally had one chance to go back in time and actually recreate the period as best I could."

Alexander producer Moritz Borman was intrigued by the extent to which Stone had delved into Alexander’s mind in his screenplay. "Most of us have some historical knowledge of Alexander," Borman notes, "but don’t know much about the man himself, his soul, his inner workings. Oliver’s script asked where he came from, what were his trials and tribulations, how did his cultural environment form him, what happened when he encountered different cultures and confronted apparently impossible situations. This was not just a history lesson, but a script about a man who all of us could very well relate to today, with many of the themes of our time. The whole story of Alexander just came alive in the script, a truly dramatic and glorious tale."

Serving as historical advisor to Stone was Robin Lane Fox, a fellow of New College, Oxford, whose 1972 biography of Alexander has sold more than a million copies and is considered one of the finest contemporary works on his life. Lane Fox’s encyclopedic knowledge of Alexander’s life provided the filmmaker with information for his screenplay and occasional on-set expertise.

"I first met Oliver three years ago in London," Lane Fox recalls, "and he bombarded me with questions, a process that went on for months. He wanted to understand everything from how Greeks would behave at a dinner party to what Aristotle meant to Alexander.

"I think Oliver’s strength as a historical dramatist is that his mind has a real feel for the character. He has an epic eye and dimension. Oliver has aimed high to present the greatness, and it will surprise historians to the degree to which he’s tried to convey the balance of Alexander’s accomplishments, both good and bad."

Stone’s film is by definition interpretive, as are all works of historical fiction. Alexander lived in ancient times, and even his earliest historians could only take their best guess at the truth. "Cramming every incident of Alexander’s extraordinary life into one feature film would be quite literally impossible," notes Lane Fox, "and there are also mysteries that may never be solved. I understand why Oliver made the decisions to omit certain incidents in Alexander’s life, or to make slight changes in the sequence of events. One of the fascinations about Alexander is the gaps in what we can know – they give such scope for the imagination."

Stone doesn’t see the story of Alexander as belonging solely to the ancient world. "The incredible thing about Alexander was that he knew all of the Greek myths, and then acted them out in his real life. He had a lot of demon drives that modern people have, and one of my hopes is that the movie will bring back some sense of history that there were other times and places, empires that ruled the earth and men who were great dreamers and visionaries. Everyone, especially young people now, should be given a sense of history and the possibility of idealism; that should never be corrupted."

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